Following the success of their album “Hyperdrama” (2024) and their 2025 Grammy win for “Neverender,” French duo Justice took their most ambitious live show on a world tour through 2025, cementing their reputation as one of the most spectacular acts in electronic music.
2025 was the year Justice went everywhere. Fresh off a Grammy for Best Dance/Electronic Recording, Gaspard Augé and Xavier de Rosnay turned “Hyperdrama” into a global live phenomenon, carrying the French sound from European arenas to North American festival stages.
A show built like a cathedral
The Hyperdrama staging pushed the duo’s visual obsession further than ever: walls of light, the iconic cross reborn, and a sound design engineered for the biggest rooms. Each date became a sensory event rather than a simple concert, the kind of production that resets expectations for what electronic live can be.
From arenas to festivals
Across the year, Justice alternated headline arena shows with major festival slots, introducing “Hyperdrama” tracks alongside the classics, “Genesis,” “D.A.N.C.E.,” “Stress”, that built their legend. The new material, including the Tame Impala collaboration “Neverender,” proved it could hold its own next to the canon.
A torch carried worldwide
Justice’s global run did more than sell tickets: it kept French electronic music at the centre of the international conversation, a torch carried from Daft Punk to a new generation watching from the crowd.
Key facts
- Tour: Justice “Hyperdrama” world tour, 2025
- Album: “Hyperdrama” (2024); Grammy for “Neverender” (feat. Tame Impala), 2025
- Members: Gaspard Augé, Xavier de Rosnay (Ed Banger Records)
- Setlist: blends new album with classics (“Genesis,” “D.A.N.C.E.,” “Stress”)
